End of Year Update

As we wind down into the final days of 2014, I have done some assessment of the state of production to let you know the lay of the land for 2015. Resupply cases are headed to Wish in New York City and Natara in Los Angeles, though I’m pretty sure Natara’s is completely slated for a tasting party for New Year’s.

After the production window ending January 3rd closes, I will be winding the coffee engines down for a week because I jump on a plane shortly there after to head to CES 2015 (reprising the 2011 CES journey). For that reason, the next window will go until January 24th since I’ll be out of town. I will be spending most of my time in Vegas for CES at Caesar’s if for some reason you wanted me to bring a stein with me for you. I also happily accept cocktails if you can find me.

Anyway, status reports in no particular order:

1) Changes to the Flavor Line Up – For the foreseeable future, Jamaica Blue Mountain is off the table. As I mentioned a while back that last time it disappeared, the crops coming out of Jamaica for the past several years have been painfully small, while demand has only gone up. This means that my roasters of choice are hard pressed to get any when it comes up on auction. If, and this looks increasingly unlikely, they are able to get any beans, the prices are likely to jump up by at least 25%. Considering how painfully expensive the Jamaica Blue Mountain BBotE is, that probably takes it out of even “Extravagant Gift” price range for folks. If you really, really want some, ask and I’ll see what I can do.

Otherwise, the availability of the rest of the varieties appears to be stable. There’s a chance that Ipsento Panama will run out and that Congo will come back.

2) BBotE Ambassadorships – At this time, I have no intention to expand the number of BBotE Ambassadors out there. The addition of of Melbourne (Australia), Toronto (Canada), Albuquerque, NM and Prescott, AZ at the end of last year was a bit of a push and I’d like to make sure they get established and I can handle their demand before adding anyone else. Sadly, after this case Wish is hanging up her hat in New York City. I’m afraid secure buildings have made easy hand off to folks tricky.

3) Price Changes in Australia – My retail prices of BBotE have stayed stable for the past several years despite generally rising prices in coffee and supplies. I like my price points and want to keep them there as long as I can. However, in one place, they’re going to have to change: BBotE Ambassador hand off in Australia. As a kindness, I’ve been letting people just pay in AUD as it was more or less 1:1 for the exchange rate. Was is the operative term. I’m afraid those prices are now something closer to AUD90. Sorry, everyone down there. Melbourne & Perth rates are now a titch higher starting January 1st.

So far, this isn’t coming to Toronto or London yet, but I’m watching those rates.

4) THE DEADLY RADIATIONS!!! – As I have often said, the price of writing about interesting things is that it takes time away from doing interesting things. I have high hopes of actually getting a few more tales up here in the coming year. The TL;DR version of 2014 has been “Goddammit, you still aren’t dying from Fukushima, stop calling me.” Also, if you are need of something to donate to for tax reasons and like tales of radiation, may I recommend the Atomic Heritage Foundation to you?

5) Travel – Other than the trip to Las Vegas in the first week of January I mentioned above, nothing specific is on the docket. There’s been mutterings about a mission behind the Orange Curtain and possibly Boston, but nothing concrete. Nothing that shuts down production for a month like the Great Cross-Country Journey of 2014.

THE DECEMBERING™ 2014: It’s Over

With the shipments that just went out today, and the few remaining for tomorrow, the December 17th BBotE production window draws to a close. According to the nice ladies at the post office, everything should reach their respective destinations by next Monday at the latest. The next production slots, ending on January 3rd, 2015 are now up for most all items on the site. I will do everything in my power to crank out as much BBotE as possible out the door in hopes of getting out to folks before the holidays end but there’s no guarantees at this point.

So, if you wanted to get something for someone for Christmas or Hanukkah and the last minute has bitten you in the butt because I can’t possibly get something to you in time, I do have one final option for you: Gift Certificates. I deeply apologize that you can’t give someone a gift certificate in excess of $1000 on Funranium Labs, but such is life.

As for steins, supplies are, in a word, depleted. Those numbers will rebound sometime in mid-January.

It is now time for some good holiday cheer as only my favorite artist can provide:

THE DECEMBERING™ 2014: The Home Stretch

The last of the December 6th production window BBotE, along with several steins and resupply for the BBotE Ambassador of Melbourne, are now out the door. This means that the December 17th BBotE production window is now open. The last of the dewars I ordered in preparation for the 17th window are due to arrive on Tuesday, at which the “steins on hand” numbers will lock in for the rest of the year.

Thanks to the kind endorsement of io9 and The Wirecutter gift buying guides, it is fair to say that slots are disappearing at a fair clip this year. After the 17th, another set of slots will go up, however I won’t be able to guarantee anything making it before Christmas at that point. If you’re in the last minute crowd, drop me an email and we can see what we can make happen. (PROTIP: not being picky about what variety you get really helps with that)

And with that, it’s time to closely research this scene to learn the secrets of the classic LAPD holiday punch, courtesy of “L.A. Confidential”.

 

Stein 600 is GONE, so is Congo

The next milestone has been hit: Stein #600 and it’s companion #601, a 665ml FMJ for the low low price of free, are now on their way to New Jersey for a what I can only hope is a very enjoyable Thanksgiving feast.

In other news, Congo has departed the ranks of BBotE to be replaced by an excellent Tanzania from that same roaster. It’s very similar to to the Congo in flavor, which considering these to farms are on either side of Lake Tanganyika. It’s the same dry red wine & baking chocolate, but a bit sweeter. Kinda smoky on the end. I like it and am happy to put it up in the roster for you all to choose from. As always, the BBotE flavor profiles can be found here.

Resupply of all the BBotE Ambassadors is going as fast as possible. London’s just went out today, should arrive at the end of the week. Chicago asks that people come clean them out as soon as possible because there is a need for more refrigerator room to hold Thanksgiving leftovers. DC/Baltimore is headed out of the country for the holidays, so if you want BBotE around the capital, drop him a line before December 15th. If you’d like to grab something locally, drop them a line. Ambassadors are standing by.

And, as I will do in every post between now and the end of the year, a link to THE DECEMBERING(tm) 2014 information.

A New Ambassador and Another Rant: Art Safety

GOOD NEWS, ALBUQUERQUE! The people of the Atomic City (not to impugn the honor of Arco, ID and Los Alamos, NM of course) now have a BBotE Ambassador of their own. When not evangelizing ultracoffee, Lee is an professor of electonic arts at the University of New Mexico. He’ll be receiving his first case next week, so drop him a line at bboteABQ[at]gmail[dot]com if you’d like to place dibs on a bottle.

Probably more important to the rest of you: the November 8th pre-order window is now open. Go for it.

And now, a rant I’ve been thinking about for a while. Let me open by saying this is hasn’t been brought on by any particular event, but enough things from all over have piled up that I want to try to put my thoughts together in hopes that it helps someone.

The rise of the maker, as social media is very happy to tell me about constantly since I theoretically am one, is nothing really new. To me it’s more a matter of people remembering that tinkering in the shop is fun, despite a world full of disposable things that are cheaper to replace than repair. Also, that it’s a good idea to have a separate building to store your highly flammable but non-potable liquids and tetanus inducing rusty tools that you don’t actually live in. Despite the abusive work practices of our grad students bringing cots and sofas to labs so they can sleep during long data runs, people rarely live in their lab spaces anymore than a machinist sleeps in the machine shop.

However, the live-work artist studio is a cultural staple. Just close your eyes, and you can imagine it. The high ceilings, the canvases stacked in the corner, drop cloths on the floor, the flowers growing from wine bottles in the windows, paint spattered coffee mug for coffee that looks identical to the paint spattered coffee mug for brush cleaning, a half finished sculpture over there on the table overflowing with magazines. Your imagined space may vary depending on your exposure to dancers and other more exotic visual artists.

But now I want you to imagine that space again with my eyes. That coffee mug for brush cleaning, is that water that for dipping the brushes into or is it turpentine? Either way, don’t want anyone drinking that because I’m looking at the paints now and it’s been a while since mercury-based vermillion was on the market, where did you even get that? Oh, you found it in a discount bin at Goodwill, of course. Is that Strip-Eaze? Holy shit, that’s the old methylene chloride based formulation. Why is your woodworking tool box bloody? Exactly how many gallons of lacquer do you have stored in the corner over there under the space heater? That sure is a lot of old fishing weights…oh, of course, you’ve been melting them on the stove and making new sculptures in cast lead using an pre-Norman Conquest technique from Exeter. No, no thank you, I don’t want any food prepared here until we decon and gut this space.

Okay, back to reality. This is not because artists are ignorant of science & technology, goodness no. They usually have a deep and intimate knowledge of their tools and medium. Sometimes entirely new tools have been made to do a thing no one even thought of before, or existing things brought together in a novel manner to make something new. But that creation can come at the cost of wider vision, the ability to see consequences. When you are focused on making the performance come together at the theater, especially if you are dealing with students, you can forget little things like fall protection working above the stage in the rafters of your 100+ year old theater.

The more concerning artistic idea that sends a shiver up my spine are people that create things with a willful disregard for consequence, that want to “challenge people’s vision and see how the world changes once I set my art free”. That is a quote from a student here at Cal. That’s fine if your creation is a painting; it is less fine if your creation is a giant kinetic sculpture made of rotating parts crush injuries and it never occurred that this might look a bit like a jungle gym to kids.

Then there is a cultural matter that I feel comes into play that I wish would stop: suffering for your art. If you feel bad that your project isn’t coming along and that drive toward self-loathing helps wrench a chunk of your soul out and present it to the world, well, that sounds horrible but thank you. NOTE: the trope is “suffering for your art”. It is not “heavy metals poisoning for your art”, “accidental amputation for your art”, “electrocution and arc blast injuries for your art”, “laser burns & blinding for your art”,  or “plummeting to your death for your art”. While I understand and sympathize with the terrible toll on mental health artistic pursuit may lead to, it’s my job to try to minimize the physical toll.

The thing is, I don’t want artists to stop doing dangerous art. I would just like them to be willing to listen to the people that are trying to keep them alive, rather than rejecting this advice as authoritarian bullshit (another student quote). At the very least, I would be happy if they’d be merely as resistant as the average chemistry researcher.